Monthly Archives: June 2017
Posted by reelgirl
The murder of JonBenét Ramsey will probably go down in as one of the saddest, strangest unsolved murders in American history. Despite all that science can give us, 20 years later we still don’t know who killed JonBenét. The Netflix original documentary, Casting JonBenét, takes an original look at one of our nation’s most speculated upon murders.
What makes this documentary so interesting is that it’s not so much a documentary as it is a deconstruction. No actual associated parties are involved – it’s all reenactment. This method is incredibly appropriate, considering that this case is pure speculation.
From the moment they made their public appearance, Patsy and John Ramsey were judged unscrupulously by the public, and would be judged for the rest of their lives. Additionally, there would be little to no personal time to grieve, let alone process this atrocity, while being prime suspects for the police.The beauty of this documentary is everything we witness is that spectacle.
On the whole, this is an exploration of mass perception and how it shapes our views of others, while reflecting on our own inner troubles. During a powerful point in the story, when John and Patsy are meant to be making their statements to the police, the actors spill their guts about their darker character manifests. The finale is an emotional cacophony, which renders the viewer overwhelmed, and ultimately very sad.
In the end, I found this film to be haunting. The spectrum at the end – every possibility played out to its fullest – cements that this was a real tragedy that actually occurred to real people.
As much as I appreciate the idea of a speculative documentary about a news spectacle, it’s really an anti-documentary. Though an exploration of emotional gravitas, one can’t help but feel it hides behind the Ramsey’s limelight to create an art piece. …Not that there’s anything wrong with that, is there?
After all, art is inspired in the strangest or bleakest of places, and there’s hardly any exploitation to be had – the performers are of their own bias and the filmmakers do not portray any opinions on the matter. It’s less about the Ramseys themselves and more about reflecting on theoreticals. So in a sense, the film is false advertising. An additional ironic cherry on top is that JonBenét is hardly even in the film at all – after all, the parents are the real stars of the show.
…Does that sex-ed guy just carry those flails around with him everywhere?