WYSHW: Mary and Max

You know how I feel about stop-motion.

You know how I feel about stop-motion.

This is a film I came across some time ago. It stuck to the back of my memory and never left. Sadly, it is no longer streaming on Netflix, but you should see it if you get a chance; Adam Elliot’s Max and Mary– an animated tale of isolation, second-chances, and condensed milk. Among other things.

Mary Daisy Dinkle (Bethany Whitmore/Toni Collette) is a lonely Aussie girl who lives with her alcoholic mother and removed father. Max Jerrry Horovitz (Philip Seymour Hoffman), is an obese 40-something with Aspergers living in New York.

After a mishap with her mother at the post office, Mary reaches out to Max on a whim, with the hopes of gaining a pen pal. Max obliges, and the two strike a friendship which spans years, complete with misunderstandings and ups and downs – without ever meeting face-to-face.

What struck me most about Mary and Maxis it’s odd combination of charm and crudeness – the same sort of traits found in Elliot’s Oscar-winning short Harvie Krumpet. Additionally, there’s something wonderful, magical even, about the heaviness and intangibility of depression and anxiety crossed with such tangible media as clay figurines. Personally, I’m also a fan of more adult-themed stop-motion films (the more that disbands the thought that all animated features are for children, the better).

Perchance this film is not for everybody, but I think that Mary and Maxis at least worth a glance for the dry wit and dark humor.

Next time on What You Should Have Watched, let’s get some Julie Taymor in here.

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About reelgirl

Film lover, kitsch enthusiast, and all around neat gal. You can read what I'm up to at Reel Girl Reviews!

Posted on August 22, 2015, in What You Should Have Watched and tagged , , , , , , , , , , , , . Bookmark the permalink. Leave a comment.

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