Only Lovers Left Alive
Adam and Eve are a pair of vampire lovers. Though they have survived centuries together, Adam (Tom Hiddleston) has grown despondent, ever distraught by the state of the world and how it’s being ruined by “zombies” (aka, non-vampire folk). Once Eve (Tilda Swinton) re-enters his life, she convinces him to relish in the wonders and beauty the world has to offer. However, their content home-life is interrupted once Eve’s sister Ava (Mia Wasikowska) pays a visit.
Like all Jarmusch films, the crux of the story is in the characters themselves. By simply looking at our lovers, we can easily read their interests: Eve adores the exotic, as well as art an literature, whereas Adam dwells in a dilapidated home surrounded with musical instruments and all sorts of gadgetry. Furthermore, Eve resides in Tangiers while Adam prefers Detroit – no doubt a commentary on America’s fallen empire (especially when they visit the Michigan Theatre).
When together they make a perfect yin-yang (possibly represented by their hair-color), and as a couple they complete each other.
Essentially these two are the movie – which is why it’s so jarring when Ava comes into the picture.
It’s clear by Adam’s, erm, lack of enthusiasm, that Ava is not welcome in his house. Wasikowska plays this role to a tee, but sadly doesn’t offer much else. Ava is simply the most loathe-able, degenerate teenager in existence. Of course, using the phrase “teenager” loosely. Granted I could just be an old curmudgeon like Adam, but damn is she annoying.
I would actually love to know her story, like when did she become a vampire and why? Why don’t we ever learn what she did to piss off Adam to begin with? Also why didn’t he take advantage of a certain spoilery plot-point? That would had made things a lot easier.
At the same time, I suppose focusing more on the vampire mythology would remove from the romantic narrative – though if I’ve learned anything while writing about Her, I tend to get distracted by origins (or lack thereof). I need to remind myself that this isn’t a film about vampires, but of lovers, and what it means to only have each other. That’s sweet and all, but I feel as if the overall tale was lacking – Ava’s intrusion is really the only event that occurs, but as soon as she’s there you want her gone.
Overall, Jarmusch’s staple tonality and character focus is certainly there, but I feel as if the romance angle was a bit of a one-trick pony. Come for the characters and atmosphere, but stay for the music.
Final Grade: B