Netfix: Antiviral

Brandon Cronenberg, son of the one and only David Cronenberg, has finally (okay, two years ago) made his full-length directorial debut, Antiviral.

In a society obsessed with celebrity culture, adoring fans have no resorted to paying for infectious diseases, in order to bring themselves one step closer to those they admire. Syd March (Caleb Landry Jones) acts as a disease-mule who works at the only clinic that offers ailments straight from starlet Hannah Geist (Sarah Gadon). When Hannah suddenly dies, Syd is cast into his own personal hell, caught between devotion and survival.

Personally, I think that the trailer was better than the movie.

Stylistically, this film’s golden. The choices of light and composition clearly reflect a materialistic world with an eerie underbelly. The visuals (and physical props) are admirably grotesque, but made me yearn for more.  Additionally, given the pleasure of at least one fever-dream sequence, but not much else.

They went for a gaze/spectacle motif, but unfortunately overshot so far they missed the mark.

They went for a gaze/spectacle motif, but unfortunately overshot so far they missed the mark.

At first glance, the grim celeb-obsessed future plot seems kind of interesting, but it doesn’t carry the story at all. In fact, there’s very little story to be had. I can’t even describe the protagonist that well. He’s a creepy ginger fellow…and Jones does a great job at faking sick.

His obsessions are only acknowledged in dream-form, and even then we’re not given much more to work with. Maybe that was the point – people are so obsessed with other people that there’s literally no individual personality left in the world? The character design would seem to suggest this, but it just comes off as kind of lame and misguided.

The Good
Like I said, gorgeous composition. I really wanted to know more about this world and how society and science took this perverted turn. I loved the grotesque visuals and sci-fi involved here – more of that, please.

The Bad
Unfortunately, when you have a story that is about obsession and only obsession, it gets old kind of quickly. It’s clear that the plot/ending was only going to turn into a gory shock-factor, and that’s really a dirty shame.

The Ugly
Antiviral had the oomph, only to flop over as a one-trick pony.


About reelgirl

Film lover, kitsch enthusiast, and all around neat gal. You can read what I'm up to at Reel Girl Reviews!

Posted on March 22, 2014, in Netfix and tagged , , , , . Bookmark the permalink. 2 Comments.

  1. So it’s not enough to just own a piece of their wardrobe any more?

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