Yeh know, I really wish Darren Aronofsky directed this one as originally planned – R-rating and everything. I mean, can you imagine how warped this would’ve gotten? Or how poignant for that matter? Too bad, didn’t happen.
In this sixth installment of the X-Men franchise, Logan is faced with his actions from The Last Stand, i.e. haunted by visions of Jean Grey in negligee – hey, that rhymed – as well as flashbacks to his war days, mainly witnessing the bombing of Nagasaki. Coincidentally, he is called back to Japan when he learns that the officer he saved back in the day is dying and wants to say farewell. Bait-and-switch! The dying man, Yashida, is offering a chance for Logan to give up his cursed life of immortality if he helps him become immortal. Logan declines this offer, and then the plot thickens with the kidnapping of Yashida’s granddaughter and yakuza and ninjas and stuff. Oh, and this crazy Viper chick comes in and weakens Logan’s healing factor. Significantly.
This movie could have been awesome, considering that the idea of Wolverine (an anarchic anachronism of sorts) entering a land of honor and tradition has many-an-opportunity for character arcs and development. I didn’t even read the comic and I could figure this stuff out. Instead, we’re given preposterous fights on bullet trains, ostentatious ninjas, lots of rain and samurai romanticism. Not to say that there isn’t some development, but it takes a long time to get to what little there is – I’d be distracted too if all sorts of loosely explained things were flying at me.
Speaking of which, I’ve got a bone to pick with the Viper/Yashida plot: how exactly is Logan’s healing factor extracted from his skeleton? Also, why not kidnap him when Viper had him all doped up to stick the bug in his body? How did those little bugs work – slow, continuous toxin release? I personally hate long villainous dialogue, but if you’re going to suspend my disbelief at least give me some sci-fi mumbo-jumbo to go on. Also, why did the Viper lady take her skin off? The consistency of her abilities kind of went over my head a little. …And are side-flips really the best method for stealthy ninja transport?
I have to admit, other than the cinematography, the best part of the whole feature was Hugh Jackman’s performance. You can tell he was giving it his all in this one: prime physical condition, tortured demeanor – this is a point in Logan’s life when he is worn and weathered and wants to wander off alone like a dying dog, and he makes you believe it. It’s just a shame everything else kind of fell apart around him.
Lackluster but not totally awful, it was still better than Origins.
Final Grade: B-
(Seriously, Jackman’s performance is this movie’s saving grace – oh, and the stinger’s pretty cool. I’m stoked for Days of Future Past.)